Degree Critical revisits Angella d’Avignon’s 2019 review of Nancy Holt at Dia:Beacon
Author: degreecritical1
Fallback Friday: Dispatch from Vietnam: Richard Streitmatter-Tran in conversation with David Willis
Degree Critical revisits a 2019 conversation between writer David Willis and artist Richard Streitmatter-Tran
Fallback Friday: Rendering the Disappearance of Images
Degree Critical revisits Collin Sundt’s 2011 review of Johannes Kahrs at Luhring Augustine Gallery
Fallback Friday: Dreaming and Conceiving, or a Case for More Folktales
Degree Critical revisits writer Zeny May D. Recidoro’s review of Raven Chacon’s Still Life No. 3 (2015)
Decoding Salvador Dalí’s Paintings
Anne Seoung Eun Bae considers the context and influence of two Dalí paintings
Fallback Friday: Emmanuel Iduma with Abraham Oghobase
Degree Critical revisits Emmanuel Iduma’s 2017 interview with photographer Abraham Oghobase
Fallback Friday: Rhythmic Transfusions
Degree Critical revisits Tereza Belfort’s essay comparing pianist Glenn Gould and painter Francis Bacon
Fallback Friday: The Mediated Vision of William Hawkins
Degree Critical revisits Cynthia Cruz’s 2017 review of “The Unmediated Vision of William Hawkins”
Magic in the Contemporary Context: René Magritte’s La Clairvoyance
Anne Seoung Eun Bae considers the power of the time-gap in subjective perception
Fallback Friday: Public Art Portfolio
Degree Critical revisits a collective meditation on Public Art Fund’s 2010 exhibition “Statuesque”
Fallback Friday: Interview with Ernst Fischer and Will Fenstermaker
Degree Critical looks back at critic Will Fenstermaker’s 2016 studio visit and interview with photographer Ernst Fischer
Fallback Friday: Yoko Ono Through a Lens
Degree Critical revisits Ann Collins’s meditation on the artist’s filmed performance Cut Piece (1965)
