By Angella d’Avignon August 16, 2019 The door to the Great Hall of the James B. Duke House on the … More
Author: degreecritical1
The 58th Edition of the Venice Biennale allows for delightful ruminations in the wake of urban, cultural, and environmental decay
Terence Trouillot reviews the 58th Venice Biennale, “May You Live In Interesting Times”
At World’s End: Non–Vicious Circle at Paula Cooper Gallery
Cigdem Asatekin reviews Non-Vicious Circle at Paula Cooper Gallery
Inner and Outer Space
Cynthia Cruz considers Claire Denis’ film High Life (2018)
In America: The 79th Whitney Biennial
Sam Swasey reviews the 79th Whitney Biennial
Hito Steyerl: Drill at Park Avenue Armory
Jessica Holmes reviews “Hito Steyerl: Drill” at Park Avenue Armory
Dispatch from Istanbul: Replica of the Original, or, The Carpenter’s Workbench
Cigdem Asatekin reviews “Replica of the Original” on view at SALT Beyoğlu in Istanbul
Fallback Friday: Casting JonBenét
Degree Critical revisits Will Fenstermaker’s (Class of 2016) consideration of spectatorship and power in “Casting JonBenét”
Photography, Caravaggio & The Musicians
Yínka Elujoba writes about Caravaggio, Roy DeCarava, and the quality of light
Dispatch from Vietnam: Rồng Rắn Lên (Serpents’ Tails) at Galerie Quynh
David Willis reviews UuDam Tran Nguyen, “Rồng Rắn Lên (Serpents’ Tails)” at Galerie Quynh in Vietnam
being seen : captured action by peter campus
David C. Shuford reviews “peter campus : video ergo sum” at the Bronx Museum
An Active Infinity: Impressionism in the Age of Industry
Cigdem Asatekin reviews “Impressionism in the Age of Industry: Monet, Pissarro and more” at the Art Gallery of Ontario, in Toronto
