Sahar Khraibani offers a powerful meditation on the film “HyperNormalisation” from Adam Curtis
Category: Essays
Every Here Is An Elsewhere
Sahar Khraibani collects impressions in response to the public photographic work of Farah Al Qasimi
Barbara Loden’s “Wanda” and the Invisibility of the Working Class
Cynthia Cruz writes about the plight of the working class in Barbara Loden’s film, “Wanda”
After Manet: The Wife, the Fish, and the Philosopher
Cigdem Asatekin explores the life of Edouard Manet’s most important model, his wife
The Souvenir, The Wound
Cynthia Cruz considers class privilege and social distance in her explication of the film “The Souvenir”
The Aerial Muse & Maine’s Fallow Fields of History
Lune Ames explores indigenous history in Yvonne Jacquette’s “Little River Farm”
Joan Jonas’s “Moving Off the Land II” at Ocean Space in Venice
Monika Fabijanska considers feminism and the role of the artist in Joan Jonas’s “Moving Off the Land II” at Ocean Space in Venice
Encountering the Medium: A Few Lessons from James Turrell’s “Shanta II (blue)”
Lucija Furac considers perception and objecthood in James Turrell’s “Shanta II (blue)”
Working Through: the Drawings of Eva Hesse
Cynthia Cruz considers the drawings of Eva Hesse at Hauser & Wirth
The Geist in William Gedney’s Kentucky Photographs
Cynthia Cruz writes about libidinal energy in the Kentucky photographs of William Gedney
When the Death Drive Takes Over: the Libidinal in Joy Division and Amy Winehouse
Cynthia Cruz considers the posture of the libidinal and the death drive
Inner and Outer Space
Cynthia Cruz considers Claire Denis’ film High Life (2018)
