Sumeja Tulic reviews “Shahidul Alam: Truth to Power” at the Rubin Museum
Category: Reviews
On Being “Wrong”: An Ode to John Baldessari
Angella d’Avignon writes an ode to John Baldessari and his impact on her art world
Irena Haiduk: REMASTER at the Swiss Institute
Lauren Palmer experiences the visual equivalent of a literary masterwork in Irena Haiduk’s “REMASTER”
Fallback Friday: Meleko Mokgosi: Democratic Intuition
Degree Critical looks back at Hakim Bishara’s review of “Meleko Mokgosi: Democratic Intuition” at Jack Shainman
Fallback Friday: Shake It Off: Approaches to Placemaking in the 21st Century
Degree Critical revisits Lauren Palmer’s review of “Life to come” at Metro Pictures
“Manifesto” at the Hirshhorn Museum and Sculpture Garden
Sahar Khraibani considers the role of manifestos in art history in her review of “Manifesto” at the Hirshhorn Museum and Sculpture Garden
From Afar, A War
Sumeja Tulic considers the traces of war in MoMA PS1’s “Theater of Operations: The Gulf Wars 1991-2011”
A Space of Pure Imagination: Swoon’s CICADA at Jeffrey Deitch
Cigdem Asatekin considers the theme of rebirth in Swoon’s latest exhibition
A Face Nature “Blessing” for a Transverse Meal
Lune Ames writes about an immersive performance, “Face Nature” lead by Madeline Schwartzman
The Hour of Exposure
Yinka Elujoba explores the role of elasticity and consonance in three double exposure photographs
Vija Celmins: To Fix the Image in Memory at The Met Breuer
Cigdem Asatekin reviews “Vija Celmins: To Fix the Image in Memory” at The Met Breuer
Dispatch From Thailand: Temporal Topographies at the MAIIAM, Chiang Mai
David Willis considers MAIIAM Contemporary Art Museum’s new acquisitions
