Fallback Friday: Rhythmic Transfusions

Degree Critical revisits Tereza Belfort’s essay comparing pianist Glenn Gould and painter Francis Bacon

Fallback Friday: The Mediated Vision of William Hawkins

Degree Critical revisits Cynthia Cruz’s 2017 review of “The Unmediated Vision of William Hawkins”

Anne Seoung Eun Bae considers the power of the time-gap in subjective perception

Degree Critical revisits a collective meditation on Public Art Fund’s 2010 exhibition “Statuesque”

Degree Critical looks back at critic Will Fenstermaker’s 2016 studio visit and interview with photographer Ernst Fischer

Degree Critical revisits Ann Collins’s meditation on the artist’s filmed performance Cut Piece (1965)

Cigdem Asatekin considers the space between memory and forgetting in Saray’s latest exhibition of drawings

Art writers consider the most meaningful works of art, from any time and genre, for getting through 2020

Cigdem Asatekin considers how two paintings in puzzle form helped to pass the time under the Covid-19 lockdown

Degree Critical revisits José Peña Loyola’s walk through this 2015 exhibit with his mother

David C. Shuford reviews Smith’s first solo exhibition in New York

Christine Licata reviewed Ei Arakawa’s 2007 intrepretative performance of Amy Sillman’s artistic process