Jessica Holmes reviews “Hito Steyerl: Drill” at Park Avenue Armory
Category: Reviews
Dispatch from Istanbul: Replica of the Original, or, The Carpenter’s Workbench
Cigdem Asatekin reviews “Replica of the Original” on view at SALT Beyoğlu in Istanbul
Photography, Caravaggio & The Musicians
Yínka Elujoba writes about Caravaggio, Roy DeCarava, and the quality of light
Dispatch from Vietnam: Rồng Rắn Lên (Serpents’ Tails) at Galerie Quynh
David Willis reviews UuDam Tran Nguyen, “Rồng Rắn Lên (Serpents’ Tails)” at Galerie Quynh in Vietnam
being seen : captured action by peter campus
David C. Shuford reviews “peter campus : video ergo sum” at the Bronx Museum
An Active Infinity: Impressionism in the Age of Industry
Cigdem Asatekin reviews “Impressionism in the Age of Industry: Monet, Pissarro and more” at the Art Gallery of Ontario, in Toronto
The Restoring Force of Gravity: Lauren McKeon’s “Let go or be dragged”
Emma Drew reviews Lauren McKeon: Let go or be dragged
Home is Here and No Other Place
Lune Ames reviews “Siah Armajani: Follow This Line” at the Met Breuer
Fallback Friday: The Dark Side of Joy
Degree Critical remembers Alyssa Timin’s exploration of Llyn Foulkes exhibition, “Deliverance” at Kent Fine Art
Interiority and the Novel: The Tale of Genji at the Metropolitan Museum of Art
Zeny May D. Recidoro reviews “The Tale of Genji” at the Metropolitan Museum of Art
Bertoia: The Metalworker Reconsiders an Overlooked Modernist
Beryl Gilothwest reviews “Bertoia: The Metalworker” by Beverly H. Twitchell
Simone Fattal: Work and Days at MoMA PS1
Sahar Khraibani reviews “Simone Fattal: Work and Days”, a retrospective at MoMA PS1
