Degree Critical revisits Lauren Palmer’s review of “Life to come” at Metro Pictures
Category: Reviews
“Manifesto” at the Hirshhorn Museum and Sculpture Garden
Sahar Khraibani considers the role of manifestoes in art history in her review of “Manifesto” at the Hirshhorn Museum and Sculpture Garden
From Afar, A War
Sumeja Tulic considers the traces of war in MoMA PS1’s “Theater of Operations: The Gulf Wars 1991-2011”
A Space of Pure Imagination: Swoon’s CICADA at Jeffrey Deitch
Cigdem Asatekin considers the theme of rebirth in Swoon’s latest exhibition
A Face Nature “Blessing” for a Transverse Meal
Lune Ames writes about an immersive performance, “Face Nature” lead by Madeline Schwartzman
The Hour of Exposure
Yinka Elujoba explores the role of elasticity and consonance in three double exposure photographs
Vija Celmins: To Fix the Image in Memory at The Met Breuer
Cigdem Asatekin reviews “Vija Celmins: To Fix the Image in Memory” at The Met Breuer
Dispatch From Thailand: Temporal Topographies at the MAIIAM, Chiang Mai
David Willis considers MAIIAM Contemporary Art Museum’s new acquisitions
Howardena Pindell: Autobiography at Garth Greenan Gallery
Sahar Khraibani reviews “Howardena Pindell: Autobiography” at Garth Greenan Gallery
Fallback Friday: Good Times
Degree Critical remembers Emma Drew’s review of “I hear it everywhere I go” at Franklin Street Works
Phenomenal Nature: Mrinalini Mukherjee at the Met Breuer
Sahar Khraibani reviews “Phenomenal Nature: Mrinalini Mukherjee” at the Met Breuer
Dispatch From Vietnam: Yohei Yama at Vin Gallery, Ho Chi Minh City
Dispatch from Vietnam: David Willis reviews Yohei Yama: Phenomenon / (Time x Space) at Vin Gallery
