Kirsten Cave reviews Green’s current exhibition “Excerpts” at Bortolami Gallery
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Selections from “The Making and Unmaking of Memories, or The Fragmenting Force of Memory”
Sahar Khraibani’s latest grant-supported work grapples with gaps in identity and language
Inner and Outer Space
Cynthia Cruz considers Claire Denis’ film High Life (2018)
Photography, Caravaggio & The Musicians
Yínka Elujoba writes about Caravaggio, Roy DeCarava, and the quality of light
being seen : captured action by peter campus
David C. Shuford reviews “peter campus : video ergo sum” at the Bronx Museum
The Restoring Force of Gravity: Lauren McKeon’s “Let go or be dragged”
Emma Drew reviews Lauren McKeon: Let go or be dragged
On Post-irony, Parafiction, and Other Distortions: Sahar Khraibani in Conversation with Hicham Faraj
Sahar Khraibani in conversation with artist Hicham Faraj
Home is Here and No Other Place
Lune Ames reviews “Siah Armajani: Follow This Line” at the Met Breuer
Nancy Holt at Dia:Chelsea
Angella d’Avignon writes about Nancy Holt at Dia:Chelsea
Life on Mars: Nancy Graves and Mary Beth Edelson
Jessica Holmes reviews two exhibitions, Nancy Graves: Mapping and Mary Beth Edelson: Shape Shifter