Fallback Friday: The Seductive Powers of Crown and Camera

Degree Critical revisits Sophie Landres’s 2007 review of Candida Höfer’s photographs of Portuguese interiors

Fallback Friday: Fishman in Exelsis Table

Degree Critical revisits Aldrin Valdez’s modernized tragedy-as-criticism in the fateful love of Orpheus and Eurydice

Cigdem Asatekin considers Etel Adnan’s longing for home in exile

Degree Critical revisits Angella d’Avignon’s 2019 review of Nancy Holt at Dia:Beacon

Degree Critical revisits a 2019 conversation between writer David Willis and artist Richard Streitmatter-Tran

Degree Critical revisits Collin Sundt’s 2011 review of Johannes Kahrs at Luhring Augustine Gallery

Anne Seoung Eun Bae considers the context and influence of two Dalí paintings

Degree Critical revisits Emmanuel Iduma’s 2017 interview with photographer Abraham Oghobase

Degree Critical revisits Tereza Belfort’s essay comparing pianist Glenn Gould and painter Francis Bacon

Degree Critical revisits Cynthia Cruz’s 2017 review of “The Unmediated Vision of William Hawkins”

Degree Critical revisits a collective meditation on Public Art Fund’s 2010 exhibition “Statuesque”

Degree Critical looks back at critic Will Fenstermaker’s 2016 studio visit and interview with photographer Ernst Fischer