Dispatch from Thailand: Araya Rasdjarmrearnsook in conversation with David Willis

Dispatch from Thailand: David Willis interviews artist Araya Rasdjarmrearnsook

Every Here Is An Elsewhere

Sahar Khraibani collects impressions in response to the public photographic work of Farah Al Qasimi

Barbara Loden’s “Wanda” and the Invisibility of the Working Class

Cynthia Cruz writes about the plight of the working class in Barbara Loden’s film, “Wanda”

Fallback Friday: Meleko Mokgosi: Democratic Intuition

Degree Critical looks back at Hakim Bishara’s review of “Meleko Mokgosi: Democratic Intuition” at Jack Shainman

After Manet: The Wife, the Fish, and the Philosopher

Cigdem Asatekin explores the life of Edouard Manet’s most important model, his wife

Fallback Friday: Shake It Off: Approaches to Placemaking in the 21st Century

Degree Critical revisits Lauren Palmer’s review of “Life to come” at Metro Pictures

“Manifesto” at the Hirshhorn Museum and Sculpture Garden

Sahar Khraibani considers the role of manifestos in art history in her review of “Manifesto” at the Hirshhorn Museum and Sculpture Garden

A Space of Pure Imagination: Swoon’s CICADA at Jeffrey Deitch

Cigdem Asatekin considers the theme of rebirth in Swoon’s latest exhibition

A Face Nature “Blessing” for a Transverse Meal

Lune Ames writes about an immersive performance, “Face Nature” lead by Madeline Schwartzman

The Hour of Exposure

Yinka Elujoba explores the role of elasticity and consonance in three double exposure photographs

Vija Celmins: To Fix the Image in Memory at The Met Breuer

Cigdem Asatekin reviews “Vija Celmins: To Fix the Image in Memory” at The Met Breuer

The Souvenir, The Wound

Cynthia Cruz considers class privilege and social distance in her explication of the film “The Souvenir”