Dispatch From Vietnam: Yohei Yama at Vin Gallery, Ho Chi Minh City

Dispatch from Vietnam: David Willis reviews Yohei Yama: Phenomenon / (Time x Space) at Vin Gallery

The 58th Edition of the Venice Biennale allows for delightful ruminations in the wake of urban, cultural, and environmental decay

Terence Trouillot reviews the 58th Venice Biennale, “May You Live In Interesting Times”

At World’s End: Non–Vicious Circle at Paula Cooper Gallery

Cigdem Asatekin reviews Non-Vicious Circle at Paula Cooper Gallery

Hito Steyerl: Drill at Park Avenue Armory

Jessica Holmes reviews “Hito Steyerl: Drill” at Park Avenue Armory

Dispatch from Istanbul: Replica of the Original, or, The Carpenter’s Workbench

Cigdem Asatekin reviews “Replica of the Original” on view at SALT Beyoğlu in Istanbul

being seen : captured action by peter campus

David C. Shuford reviews “peter campus : video ergo sum” at the Bronx Museum

An Active Infinity: Impressionism in the Age of Industry

Cigdem Asatekin reviews “Impressionism in the Age of Industry: Monet, Pissarro and more” at the Art Gallery of Ontario, in Toronto

The Restoring Force of Gravity: Lauren McKeon’s “Let go or be dragged”

Emma Drew reviews Lauren McKeon: Let go or be dragged

On Post-irony, Parafiction, and Other Distortions: Sahar Khraibani in Conversation with Hicham Faraj

Sahar Khraibani in conversation with artist Hicham Faraj

Home is Here and No Other Place

Lune Ames reviews “Siah Armajani: Follow This Line” at the Met Breuer

Nancy Holt at Dia:Chelsea

Angella d’Avignon writes about Nancy Holt at Dia:Chelsea

Fallback Friday: The Dark Side of Joy

Degree Critical remembers Alyssa Timin’s exploration of Llyn Foulkes exhibition, “Deliverance” at Kent Fine Art