Fallback Friday: Nancy Holt at Dia:Chelsea

Degree Critical revisits Angella d’Avignon’s 2019 review of Nancy Holt at Dia:Beacon

Fallback Friday: Dispatch from Vietnam: Richard Streitmatter-Tran in conversation with David Willis

Degree Critical revisits a 2019 conversation between writer David Willis and artist Richard Streitmatter-Tran

Degree Critical revisits Collin Sundt’s 2011 review of Johannes Kahrs at Luhring Augustine Gallery

Degree Critical revisits writer Zeny May D. Recidoro’s review of Raven Chacon’s Still Life No. 3 (2015)

Anne Seoung Eun Bae considers the context and influence of two Dalí paintings

Degree Critical revisits Emmanuel Iduma’s 2017 interview with photographer Abraham Oghobase

Degree Critical revisits Tereza Belfort’s essay comparing pianist Glenn Gould and painter Francis Bacon

Degree Critical revisits Cynthia Cruz’s 2017 review of “The Unmediated Vision of William Hawkins”

Anne Seoung Eun Bae considers the power of the time-gap in subjective perception

Degree Critical revisits a collective meditation on Public Art Fund’s 2010 exhibition “Statuesque”

Degree Critical looks back at critic Will Fenstermaker’s 2016 studio visit and interview with photographer Ernst Fischer

Degree Critical revisits Ann Collins’s meditation on the artist’s filmed performance Cut Piece (1965)