Sam Swasey reviews the 79th Whitney Biennial
Tag: featured
Hito Steyerl: Drill at Park Avenue Armory
Jessica Holmes reviews “Hito Steyerl: Drill” at Park Avenue Armory
Fallback Friday: Casting JonBenét
Degree Critical revisits Will Fenstermaker’s (Class of 2016) consideration of spectatorship and power in “Casting JonBenét”
Photography, Caravaggio & The Musicians
Yínka Elujoba writes about Caravaggio, Roy DeCarava, and the quality of light
being seen : captured action by peter campus
David C. Shuford reviews “peter campus : video ergo sum” at the Bronx Museum
An Active Infinity: Impressionism in the Age of Industry
Cigdem Asatekin reviews “Impressionism in the Age of Industry: Monet, Pissarro and more” at the Art Gallery of Ontario, in Toronto
The Restoring Force of Gravity: Lauren McKeon’s “Let go or be dragged”
Emma Drew reviews Lauren McKeon: Let go or be dragged
On Post-irony, Parafiction, and Other Distortions: Sahar Khraibani in Conversation with Hicham Faraj
Sahar Khraibani in conversation with artist Hicham Faraj
Home is Here and No Other Place
Lune Ames reviews “Siah Armajani: Follow This Line” at the Met Breuer
Nancy Holt at Dia:Chelsea
Angella d’Avignon writes about Nancy Holt at Dia:Chelsea
Fallback Friday: The Dark Side of Joy
Degree Critical remembers Alyssa Timin’s exploration of Llyn Foulkes exhibition, “Deliverance” at Kent Fine Art
Interiority and the Novel: The Tale of Genji at the Metropolitan Museum of Art
Zeny May D. Recidoro reviews “The Tale of Genji” at the Metropolitan Museum of Art
