Degree Critical revisits Cynthia Cruz’s 2017 review of “The Unmediated Vision of William Hawkins”
Tag: featured
Magic in the Contemporary Context: René Magritte’s La Clairvoyance
Anne Seoung Eun Bae considers the power of the time-gap in subjective perception
Fallback Friday: Public Art Portfolio
Degree Critical revisits a collective meditation on Public Art Fund’s 2010 exhibition “Statuesque”
Fallback Friday: Interview with Ernst Fischer and Will Fenstermaker
Degree Critical looks back at critic Will Fenstermaker’s 2016 studio visit and interview with photographer Ernst Fischer
Fallback Friday: Yoko Ono Through a Lens
Degree Critical revisits Ann Collins’s meditation on the artist’s filmed performance Cut Piece (1965)
Oscillate Wildly: Spaces with Suitable Temperature by Çağrı Saray
Cigdem Asatekin considers the space between memory and forgetting in Saray’s latest exhibition of drawings
The Year That Was: Degree Critical Reflects on 2020
Art writers consider the most meaningful works of art, from any time and genre, for getting through 2020
The Sight of Death, Over and Over
Cigdem Asatekin considers how two paintings in puzzle form helped to pass the time under the Covid-19 lockdown
Fallback Friday: “Doris Salcedo: A Mourning Offering”
Degree Critical revisits José Peña Loyola’s walk through this 2015 exhibit with his mother
Listening With the Ancestors: Cauleen Smith’s “Mutualities”
David C. Shuford reviews Smith’s first solo exhibition in New York
Fallback Friday: BYOF-Bring Your Own Flowers
Christine Licata reviewed Ei Arakawa’s 2007 intrepretative performance of Amy Sillman’s artistic process
Fallback Friday: Wet Suits and Male Gaze
DC revisits Tara Stickley’s timely reflection on the eve of Trump’s inauguration in 2017
