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Tag: sahar khraibani

Selections from “The Making and Unmaking of Memories, or The Fragmenting Force of Memory”

Sahar Khraibani’s latest grant-supported work grapples with gaps in identity and language

Art Criticism, art writing, Degree Critical, featured, Montez Press, sahar khraibani, SVA MFA

Suffering From Realness

Sahar Khraibani offers a powerful meditation on the film “HyperNormalisation” from Adam Curtis

adam curtis, art writing, Degree Critical, featured, HyperNormalisation, James Baldwin, sahar khraibani

Every Here Is An Elsewhere

Sahar Khraibani collects impressions in response to the public photographic work of Farah Al Qasimi

art writing, Degree Critical, Dubai, Farah Al Qasimi, featured, Public Art, Public Art Fund, sahar khraibani, Third Line

“Manifesto” at the Hirshhorn Museum and Sculpture Garden

Sahar Khraibani considers the role of manifestos in art history in her review of “Manifesto” at the Hirshhorn Museum and Sculpture Garden

art writing, Cate Blanchett, Degree Critical, featured, Hirshhorn Museum and Sculpture Garden, Julian Rosefeldt, Manifesto, review, sahar khraibani, SVA, SVA MFA

Howardena Pindell: Autobiography
 at Garth Greenan Gallery

Sahar Khraibani reviews “Howardena Pindell: Autobiography” at Garth Greenan Gallery

art writing, Degree Critical, featured, Garth Greenan Gallery, Howardena Pindell, review, sahar khraibani, SVA, SVA MFA

Phenomenal Nature: Mrinalini Mukherjee at the Met Breuer

Sahar Khraibani reviews “Phenomenal Nature: Mrinalini Mukherjee” at the Met Breuer

art writing, Degree Critical, featured, India, mrinalini mukherjee, sahar khraibani, SVA, SVA MFA, The Met Breuer

On Post-irony, Parafiction, and Other Distortions: Sahar Khraibani in Conversation with Hicham Faraj

Sahar Khraibani in conversation with artist Hicham Faraj

art writing, Degree Critical, featured, Hicham Faraj, sahar khraibani, SVA, SVA MFA

Simone Fattal: Work and Days at MoMA PS1

Sahar Khraibani reviews “Simone Fattal: Work and Days”, a retrospective at MoMA PS1

Art, art writing, featured, MoMA PS1, sahar khraibani, sculpture, simone fattal, SVA

The Sea is Still Beautiful

Sahar Khraibani writes about the sea, terror, capturing beauty, and Nilufer Demir’s photograph of Alan Kurdi

alan kurdi, Degree Critical, featured, sahar khraibani

MATANGI / MAYA / M.I.A. and The Tyranny of Hope

Sahar Khraibani writes about the documentary MATANGI / MAYA / M.I.A. on world-famous rapper M.I.A.

art writing, Degree Critical, film review, m.i.a., sahar khraibani

Four Freedoms for Whom? Revisiting the FDR Memorial

Sahar Khraibani considers the functions of monuments and their complex message to past and present visitors

art writing, Degree Critical, FDR Memorial, Franklin D. Roosevelt, Public Art, Roosevelt Island, sahar khraibani

Interview: Gogy Esparza and Sahar Khraibani

Sahar Khraibani talks to Gogy Esparza about his project “Beirut Youth” and the value of experiencing other cultures

art writing, Beirut, Beirut Youth, Degree Critical, film, gogy esparza, interview, sahar khraibani

The MFA program in Art Writing at SVA was established in 2007 for writers with a focus on visual arts and criticism as a place to hone this special craft. Degree Critical, initiated soon after as the department’s online publication, has grown to encompass writing by students, faculty, and alumni, making it an unparalleled space on the Internet for perceptive and relevant critical writing.


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