Degree Critical looks back at critic Will Fenstermaker’s 2016 studio visit and interview with photographer Ernst Fischer
Tag: SVA MFA
Fallback Friday: Yoko Ono Through a Lens
Degree Critical revisits Ann Collins’s meditation on the artist’s filmed performance Cut Piece (1965)
Oscillate Wildly: Spaces with Suitable Temperature by Çağrı Saray
Cigdem Asatekin considers the space between memory and forgetting in Saray’s latest exhibition of drawings
The Year That Was: Degree Critical Reflects on 2020
Art writers consider the most meaningful works of art, from any time and genre, for getting through 2020
Listening With the Ancestors: Cauleen Smith’s “Mutualities”
David C. Shuford reviews Smith’s first solo exhibition in New York
The Face of a Contracting World
Nyasha Chiundiza considers how the Covid-19 pandemic exists within Bruno’s cosmos and its rhythm of contraction
Selections from “The Making and Unmaking of Memories, or The Fragmenting Force of Memory”
Sahar Khraibani’s latest grant-supported work grapples with gaps in identity and language
Everything Is Contaminated, Pt. 2
Lune Ames considers the power of fermentation in the garden and in revolution
The Artist’s Choice
Cigdem Asatekin considers the perspective of the “Rückenfigur” in Celine Sciamma’s film “Portrait of a Lady”
A Prototype for Survival
Naomi Lev considers in the role of the body in Yaara Zach’s BLACK FRIDAY exhibition
In the Face of a Pandemic, A Virtual Gallery Hop
Editor-in-Chief Jessica Holmes looks back at eight installations reviewed by Degree Critical
A Declaration
E. A. Bryant III, L.P.I. examines American iconoclasm and a perennial state of “recuperation”
