Kate Brock challenges contemporary notions of empathy & racism as a virus
Tag: SVA MFA
“No New Theories” by Kameelah Janan Rasheed
Lauren Palmer reviews Rasheed’s monochromatic artist book
Respiratory Failure
Jessica Holmes addresses America’s systemic racism as a form of suffocation amidst the unfolding Covid-19 pandemic
Images in a Pandemic
Students reflect on image culture during quarantine
In Memoriam: Zarina (July 16, 1937-April 25, 2020)
Sumeja Tulic pays tribute to the life and work of the artist Zarina
On Being “Wrong”: An Ode to John Baldessari
Angella d’Avignon writes an ode to John Baldessari and his impact on her art world
Irena Haiduk: REMASTER at the Swiss Institute
Lauren Palmer experiences the visual equivalent of a literary masterwork in Irena Haiduk’s “REMASTER”
Fallback Friday: Meleko Mokgosi: Democratic Intuition
Degree Critical looks back at Hakim Bishara’s review of “Meleko Mokgosi: Democratic Intuition” at Jack Shainman
After Manet: The Wife, the Fish, and the Philosopher
Cigdem Asatekin explores the life of Edouard Manet’s most important model, his wife
Fallback Friday: Shake It Off: Approaches to Placemaking in the 21st Century
Degree Critical revisits Lauren Palmer’s review of “Life to come” at Metro Pictures
“Manifesto” at the Hirshhorn Museum and Sculpture Garden
Sahar Khraibani considers the role of manifestos in art history in her review of “Manifesto” at the Hirshhorn Museum and Sculpture Garden
A Face Nature “Blessing” for a Transverse Meal
Lune Ames writes about an immersive performance, “Face Nature” lead by Madeline Schwartzman
