A discussion about autotheory, fermentation, and the relationship (and space) between them
Tag: SVA
Fallback Friday: The Seductive Powers of Crown and Camera
Degree Critical revisits Sophie Landres’s 2007 review of Candida Höfer’s photographs of Portuguese interiors
Fallback Friday: Fishman in Exelsis Table
Degree Critical revisits Aldrin Valdez’s modernized tragedy-as-criticism in the fateful love of Orpheus and Eurydice
Fallback Friday: Emmanuel Iduma with Abraham Oghobase
Degree Critical revisits Emmanuel Iduma’s 2017 interview with photographer Abraham Oghobase
On Being “Wrong”: An Ode to John Baldessari
Angella d’Avignon writes an ode to John Baldessari and his impact on her art world
Irena Haiduk: REMASTER at the Swiss Institute
Lauren Palmer experiences the visual equivalent of a literary masterwork in Irena Haiduk’s “REMASTER”
Fallback Friday: Meleko Mokgosi: Democratic Intuition
Degree Critical looks back at Hakim Bishara’s review of “Meleko Mokgosi: Democratic Intuition” at Jack Shainman
After Manet: The Wife, the Fish, and the Philosopher
Cigdem Asatekin explores the life of Edouard Manet’s most important model, his wife
Fallback Friday: Shake It Off: Approaches to Placemaking in the 21st Century
Degree Critical revisits Lauren Palmer’s review of “Life to come” at Metro Pictures
“Manifesto” at the Hirshhorn Museum and Sculpture Garden
Sahar Khraibani considers the role of manifestos in art history in her review of “Manifesto” at the Hirshhorn Museum and Sculpture Garden
A Face Nature “Blessing” for a Transverse Meal
Lune Ames writes about an immersive performance, “Face Nature” lead by Madeline Schwartzman
The Hour of Exposure
Yinka Elujoba explores the role of elasticity and consonance in three double exposure photographs
