Angella d’Avignon writes an ode to John Baldessari and his impact on her art world
Tag: SVA
Irena Haiduk: REMASTER at the Swiss Institute
Lauren Palmer experiences the visual equivalent of a literary masterwork in Irena Haiduk’s “REMASTER”
Fallback Friday: Meleko Mokgosi: Democratic Intuition
Degree Critical looks back at Hakim Bishara’s review of “Meleko Mokgosi: Democratic Intuition” at Jack Shainman
After Manet: The Wife, the Fish, and the Philosopher
Cigdem Asatekin explores the life of Edouard Manet’s most important model, his wife
Fallback Friday: Shake It Off: Approaches to Placemaking in the 21st Century
Degree Critical revisits Lauren Palmer’s review of “Life to come” at Metro Pictures
“Manifesto” at the Hirshhorn Museum and Sculpture Garden
Sahar Khraibani considers the role of manifestos in art history in her review of “Manifesto” at the Hirshhorn Museum and Sculpture Garden
A Face Nature “Blessing” for a Transverse Meal
Lune Ames writes about an immersive performance, “Face Nature” lead by Madeline Schwartzman
The Hour of Exposure
Yinka Elujoba explores the role of elasticity and consonance in three double exposure photographs
Vija Celmins: To Fix the Image in Memory at The Met Breuer
Cigdem Asatekin reviews “Vija Celmins: To Fix the Image in Memory” at The Met Breuer
The Souvenir, The Wound
Cynthia Cruz considers class privilege and social distance in her explication of the film “The Souvenir”
The Aerial Muse & Maine’s Fallow Fields of History
Lune Ames explores indigenous history in Yvonne Jacquette’s “Little River Farm”
Dispatch From Thailand: Temporal Topographies at the MAIIAM, Chiang Mai
David Willis considers MAIIAM Contemporary Art Museum’s new acquisitions
