Jessica Holmes reviews “Hito Steyerl: Drill” at Park Avenue Armory
Tag: SVA
Photography, Caravaggio & The Musicians
Yínka Elujoba writes about Caravaggio, Roy DeCarava, and the quality of light
Dispatch from Vietnam: Rồng Rắn Lên (Serpents’ Tails) at Galerie Quynh
David Willis reviews UuDam Tran Nguyen, “Rồng Rắn Lên (Serpents’ Tails)” at Galerie Quynh in Vietnam
The Restoring Force of Gravity: Lauren McKeon’s “Let go or be dragged”
Emma Drew reviews Lauren McKeon: Let go or be dragged
On Post-irony, Parafiction, and Other Distortions: Sahar Khraibani in Conversation with Hicham Faraj
Sahar Khraibani in conversation with artist Hicham Faraj
Fallback Friday: The Dark Side of Joy
Degree Critical remembers Alyssa Timin’s exploration of Llyn Foulkes exhibition, “Deliverance” at Kent Fine Art
Interiority and the Novel: The Tale of Genji at the Metropolitan Museum of Art
Zeny May D. Recidoro reviews “The Tale of Genji” at the Metropolitan Museum of Art
Bertoia: The Metalworker Reconsiders an Overlooked Modernist
Beryl Gilothwest reviews “Bertoia: The Metalworker” by Beverly H. Twitchell
Simone Fattal: Work and Days at MoMA PS1
Sahar Khraibani reviews “Simone Fattal: Work and Days”, a retrospective at MoMA PS1
Life on Mars: Nancy Graves and Mary Beth Edelson
Jessica Holmes reviews two exhibitions, Nancy Graves: Mapping and Mary Beth Edelson: Shape Shifter
Dreaming and Conceiving, or a Case for More Folktales
Zeny May Recidoro reviews Raven Chacon’s Still Life No. 3 (2015), on view at the National Museum of the American Indian
