Renée Green Holds Chromatic Space for Critical Contemplation

Kirsten Cave reviews Green’s current exhibition “Excerpts” at Bortolami Gallery

The Face of a Contracting World

Nyasha Chiundiza considers how the Covid-19 pandemic exists within Bruno’s cosmos and its rhythm of contraction

Fallback Friday: “Dispatch 33: It’s the Communications Environment, Stupid”

A 2016 dispatch written by Chair David Levi Strauss forecasts American democracy’s “digital doppelgänger” that now grips the nation

Selections from “The Making and Unmaking of Memories, or The Fragmenting Force of Memory”

Sahar Khraibani’s latest grant-supported work grapples with gaps in identity and language

Everything Is Contaminated, Pt. 2

Lune Ames considers the power of fermentation in the garden and in revolution

The Artist’s Choice

Cigdem Asatekin considers the perspective of the “Rückenfigur” in Celine Sciamma’s film “Portrait of a Lady”

In the Air: On Points of Connection

Zeny May D. Recidoro reviews West Space Offsite’s second digital issue

A Prototype for Survival

Naomi Lev considers in the role of the body in Yaara Zach’s BLACK FRIDAY exhibition

In the Face of a Pandemic, A Virtual Gallery Hop

Editor-in-Chief Jessica Holmes looks back at eight installations reviewed by Degree Critical

A Declaration

E. A. Bryant III, L.P.I. examines American iconoclasm and a perennial state of “recuperation”

Everything Is Contaminated, Pt. 1

Lune Ames traces how a garden and art installations in vacant storefronts reacquainted them with the notion of contamination

The Curse of Prophesy: Gery Georgieva’s “Sybil’s Noon Shower of Stones”

Amelia Rina explores the dystopian forecasts of algorithmic prophecies in Georgieva’s multimedia installation