Degree Critical revisits Lauren Palmer’s review of “Life to come” at Metro Pictures
Sumeja Tulic considers the traces of war in MoMA PS1’s “Theater of Operations: The Gulf Wars 1991-2011”
Cigdem Asatekin considers the theme of rebirth in Swoon’s latest exhibition
Degree Critical revisits Lauren Palmer’s review of “Life to come” at Metro Pictures
Sahar Khraibani considers the role of manifestoes in art history in her review of “Manifesto” at the Hirshhorn Museum and Sculpture Garden
Lune Ames writes about an immersive performance, “Face Nature” lead by Madeline Schwartzman
Yinka Elujoba explores the role of elasticity and consonance in three double exposure photographs
Cigdem Asatekin reviews “Vija Celmins: To Fix the Image in Memory” at The Met Breuer
Cynthia Cruz considers class privilege and social distance in her explication of the film “The Souvenir”
Lune Ames explores indigenous history in Yvonne Jacquette’s “Little River Farm”
David Willis considers MAIIAM Contemporary Art Museum’s new acquisitions
Monika Fabijanska considers feminism and the role of the artist in Joan Jonas’s “Moving Off the Land II” at Ocean Space in Venice
Sahar Khraibani reviews “Howardena Pindell: Autobiography” at Garth Greenan Gallery
