The Restoring Force of Gravity: Lauren McKeon’s “Let go or be dragged”

Emma Drew reviews Lauren McKeon: Let go or be dragged

On Post-irony, Parafiction, and Other Distortions: Sahar Khraibani in Conversation with Hicham Faraj

Sahar Khraibani in conversation with artist Hicham Faraj

Home is Here and No Other Place

Lune Ames reviews “Siah Armajani: Follow This Line” at the Met Breuer

Nancy Holt at Dia:Chelsea

Angella d’Avignon writes about Nancy Holt at Dia:Chelsea

Fallback Friday: The Dark Side of Joy

Degree Critical remembers Alyssa Timin’s exploration of Llyn Foulkes exhibition, “Deliverance” at Kent Fine Art

Interiority and the Novel: The Tale of Genji at the Metropolitan Museum of Art

Zeny May D. Recidoro reviews “The Tale of Genji” at the Metropolitan Museum of Art

Bertoia: The Metalworker Reconsiders an Overlooked Modernist

Beryl Gilothwest reviews “Bertoia: The Metalworker” by Beverly H. Twitchell

Simone Fattal: Work and Days at MoMA PS1

Sahar Khraibani reviews “Simone Fattal: Work and Days”, a retrospective at MoMA PS1

Life on Mars: Nancy Graves and Mary Beth Edelson

Jessica Holmes reviews two exhibitions, Nancy Graves: Mapping and Mary Beth Edelson: Shape Shifter

David Willis in Conversation with Samak Kosem

David Willis interviews Thai artist and academic Samak Kosem about his art

Fallback Friday: Dressing for Space

Looking back at Jonelle Mannion’s response to Ralph Lemon’s “Scaffold Room” at The Kitchen

The Sea is Still Beautiful

Sahar Khraibani writes about the sea, terror, capturing beauty, and Nilufer Demir’s photograph of Alan Kurdi