David C. Shuford reviews Smith’s first solo exhibition in New York
Listening With the Ancestors: Cauleen Smith’s “Mutualities”
David C. Shuford reviews Smith’s first solo exhibition in New York
Listening With the Ancestors: Cauleen Smith’s “Mutualities”
Fallback Friday: BYOF-Bring Your Own Flowers
Christine Licata reviewed Ei Arakawa’s 2007 intrepretative performance of Amy Sillman’s artistic process
Fallback Friday: Wet Suits and Male Gaze
DC revisits Tara Stickley’s timely reflection on the eve of Trump’s inauguration in 2017
Renée Green Holds Chromatic Space for Critical Contemplation
Kirsten Cave reviews Green’s current exhibition “Excerpts” at Bortolami Gallery
The Face of a Contracting World
Nyasha Chiundiza considers how the Covid-19 pandemic exists within Bruno’s cosmos and its rhythm of contraction
Fallback Friday: “Dispatch 33: It’s the Communications Environment, Stupid”
A 2016 dispatch written by Chair David Levi Strauss forecasts American democracy’s “digital doppelgänger” that now grips the nation
Selections from “The Making and Unmaking of Memories, or The Fragmenting Force of Memory”
Sahar Khraibani’s latest grant-supported work grapples with gaps in identity and language
Everything Is Contaminated, Pt. 2
Lune Ames considers the power of fermentation in the garden and in revolution
The Artist’s Choice
Cigdem Asatekin considers the perspective of the “Rückenfigur” in Celine Sciamma’s film “Portrait of a Lady”
In the Air: On Points of Connection
Zeny May D. Recidoro reviews West Space Offsite’s second digital issue
A Prototype for Survival
Naomi Lev considers in the role of the body in Yaara Zach’s BLACK FRIDAY exhibition
In the Face of a Pandemic, A Virtual Gallery Hop
Editor-in-Chief Jessica Holmes looks back at eight installations reviewed by Degree Critical
