Fallback Friday: Nancy Holt at Dia:Chelsea

Degree Critical revisits Angella d’Avignon’s 2019 review of Nancy Holt at Dia:Beacon

Fallback Friday: Dispatch from Vietnam: Richard Streitmatter-Tran in conversation with David Willis

Degree Critical revisits a 2019 conversation between writer David Willis and artist Richard Streitmatter-Tran

Fallback Friday: Rendering the Disappearance of Images

Degree Critical revisits Collin Sundt’s 2011 review of Johannes Kahrs at Luhring Augustine Gallery

Fallback Friday: Dreaming and Conceiving, or a Case for More Folktales

Degree Critical revisits writer Zeny May D. Recidoro’s review of Raven Chacon’s Still Life No. 3 (2015)

Decoding Salvador Dalí’s Paintings

Anne Seoung Eun Bae considers the context and influence of two Dalí paintings

Fallback Friday: Emmanuel Iduma with Abraham Oghobase

Degree Critical revisits Emmanuel Iduma’s 2017 interview with photographer Abraham Oghobase

Fallback Friday: Rhythmic Transfusions

Degree Critical revisits Tereza Belfort’s essay comparing pianist Glenn Gould and painter Francis Bacon

Fallback Friday: The Mediated Vision of William Hawkins

Degree Critical revisits Cynthia Cruz’s 2017 review of “The Unmediated Vision of William Hawkins”

Magic in the Contemporary Context: René Magritte’s La Clairvoyance

Anne Seoung Eun Bae considers the power of the time-gap in subjective perception

Fallback Friday: Public Art Portfolio

Degree Critical revisits a collective meditation on Public Art Fund’s 2010 exhibition “Statuesque”

Fallback Friday: Interview with Ernst Fischer and Will Fenstermaker

Degree Critical looks back at critic Will Fenstermaker’s 2016 studio visit and interview with photographer Ernst Fischer

Fallback Friday: Yoko Ono Through a Lens

Degree Critical revisits Ann Collins’s meditation on the artist’s filmed performance Cut Piece (1965)